Ralph’s teaching philosophy is grounded in a single guiding question: “How do you disagree with someone without making them wrong?” This principle shapes his classroom as a space of confidence, curiosity, and dialogue. He believes artistic growth depends on the freedom to experiment and fail without fear of judgment. By focusing on questions, Ralph fosters inquiry over correctness, Ralph cultivates an environment where diverse perspectives inspire creative confidence, critical thinking, and deeper understanding.
Ralph’s pedagogy is rooted in discussion. He envisions the classroom as a collaborative space where foundational theories are framed as questions, dialogue drives discovery, and insights are synthesized collectively. A formative lesson from his broadcasting career informs this philosophy: “A monologue is for the benefit of the one speaking, not the one listening.” Guided by that principle, Ralph approaches teaching as a conversation that values listening as deeply as expression. His classes are dynamic, multimodal environments that integrate discussion, visual analysis, and creative exploration to inspire inquiry and authentic artistic growth.
Ralph believes that creative development is the foundation of meaningful arts education. He encourages students to move beyond replicating established models, instead cultivating original expressions shaped by their cultural contexts and lived experiences. Recognizing that artistic discovery often emerges from uncertainty, he fosters an environment grounded in dialogue, empathy, and intellectual challenge. Ralph’s teaching philosophy empowers students to think critically, experiment boldly, and contribute authentically to the evolving conversation of the arts.
An examination of the elements of a visual composition that make a work iconic.
Examine the Canadian creative industries and track the evolution of arts.
Two term course - Outlining the commercial aspects of television and film production including narrative and documentary projects.
Explore the writing process for live to air factual programing for online, TV and radio productions.
Overview of social and cultural factors that influence and shape creativity and aesthetic perceptions.
A critical look at photography’s role in political influence and the voice of oppressed cultures.
Advanced study of lens-based documentary in cultural context.
Examine the writing methodologies and planning process for a feature length documentary project.
Explore narrative and documentary feature length films as a research tool for cultural studies.
Examine the global nature of the creative arts and the effect of diverse cultural interpretations.
Two term course - Student supervision of capstone artistic projects focus on documentary, still life, writing and installation projects.
Explore the artistic perspective of notable philosophers such as Nietzsche, Foucault, Adorno, Bourdieu, Bazin, Kohler, Koffka and Sontag.
Examine the development of factual films and the representation of culture.
An exploration of the photographic arts from inception to contemporary approaches.
Understand how lens-based still life arts can produce complex narratives.
Compare and contrast visual arts developed by dominant cultural vs oppressed or subcultures.
Understand the influence of Poetic Documentary and experimental films to factual storytelling
Understand the basic principles of artist design with a focus on visual arts.
A lecture and seminar course tackling current issues with visual arts.